soprano soloist, coloratura soprano, lyric soprano, soloist for opera, soloist for oratoria, soprano soloist for recitals, soprano soloist for weddings, soprano soloist for business functions  
     
 
  h o m e b i o g r a p h y c a l e n d a r a u d i o c o n t a c t  
 
     
     
   

R e v i e w s 

 
 

 

Kate The Yeomen of the Guard (Gilbert & Sullivan) Philharmonia - Royal Festival Hall - April 2012

"....thumbs up too for Rebecca Moon, only in for a brief while as the Dame’s niece, but with a pure, honey-sweet voice that I’d love to smear on toast."    Geoff Brown - The Arts Desk

"It was the ensembles that came off best, Rebecca Moon riding high in ‘Strange Adventure’ as Kate, a character drafted in just for this quartet."   Nick Breckenfield  - Classical Source

Armonico Consort - Cadogan Hall - December 2011

"the excellent soprano who sang ‘In dulce jubilo’ at a stratospheric pitch" Michael Church - The Independent

Mabel The Pirates of Penzance (Gilbert & Sullivan) - The Gilbert & Sullivan Opera Company - Buxton Festival 2011

"This is an outstanding production by Gavin Slavin that should not be missed.... ....Mabel sang her waltz song ‘Poor wandering one’ magnificently, with a noticeably secure high top to her voice and enjoyable legato. Her radiant presence was an asset to the production. Raymond J Walker - Seen & Heard

"Rebecca Moon - a convincing performance as Mabel "  William Hartston - Daily Express

"I heard Rebecca Moon as a charming Mabel. She and Jeremy Finch were most affecting in 'Ah, Leave Me Not To Pine' one of Sullivan’s loveliest melodies." Tully Potter - Mail Online

Maddalena  Monteverdi's Flying Circus - Armonico Consort (2011)

"Anna Sandstrom (as his late wife) and Rebecca Moon (his maid) produced beautifully controlled singing"  - John Packwood - Bristol Evening Post

Marie in Peter the Great (Lortzing) - Opera South (2011)

"and Marie by the vivacious Rebecca Moon, who delivered her bridal song in a slender silvery soprano"   Margaret Davies - Opera magazine

"Opera South has concocted a colourful 'period’ production, directed in traditional style by Ian Gledhill. Marc Callahan, Tom Bullard, Rebecca Moon and Aidan Smith give pleasing performances in the leading roles." Rupert Christiansen - Telegraph

"Rebecca Moon’s bright, light voice was ideally suited to the part. Her singing and characterisation were superb, impish and subtly flirtatious, but always full of vivacity."  Ann Pinhey - Petersfield Post

Anna Kaufmann  in Merry Widow (Lehar) – Duchy Opera (2010)

Rebecca Moon was wonderful as the merry widow, wrapping all the greedy, lusty men of Maxim's round her little finger and dealing with Danilo with a twinkle in her eye. And what a wonderfully pure voice."  Lee_Trewhela - This is Cornwall

Mary Turner in Of Thee I Sing/  Let ‘Em Eat Cake (Gershwin) – Opera North (2009)

She received the Patrick Fyffe - Dame Hilda Bracket - award for comedy in opera at Sadler's Wells for her portrayal of Mary in Opera North's production of Gershwin's  Of Thee I Sing.

Rebecca Moon is cute as sweetly piping pie as his fiancée Mary.” Lynne Arriale - Evening Standard.

Rebecca Moon, as Mary Turner, sings like an angel, dances a light-fantastic, while keeping her cool as an actress.” Blanche Marvin - Single SU

“William Dazeley, as John P Wintergreen, and Rebecca Moon, making her Opera North debut, as Mary - his wife - were excellent in both productions, believable and approachable characters who really came to life.” Bob Briggs - Seen and Heard.

Gaia in Rainforest (Martin Read) – Opera Minima (2009)

 “The music was difficult, yet superbly sung.  Particularly impressive was soprano Rebecca Moon, who played Gaia, the environmentalist.” Gordon Birch - The Harborough Mail.

 

 
 

R E B E C C A   M O O N :  soprano soloist - opera, oratorio, recitals

 
   

 

 

 

 

 

 

 

 

Link to Bristol Ballet Teacher Ruth Lewis